You never say anything, and you expect me to understand you, when you don't even talk at all? Likely a consequence of her experiences in the previous episode. An episode rich in Asuka-Shinji content, it also proves to be one of the most difficult to interpret. In fact, the movie starts in the same date End of Evangelion was released.- Love & Pop Theatrical Booklet (1998), In contrast to the simple "favourable feelings" Shinji has with most other characters, Evangelion Chronicle describes their relationship as "complex feelings" and "love and hate. The distress from this revelation has a serious impact on Asuka's already severely weakened psyche and it is what finally pushes her completely over the edge; as the narrative finally cuts to the present, she has been on the run from home for seven days and seen lying in a bathtub in the ruins of a house, obviously physically weakened and completely sapped of the will to live as Section 2 finally finds her. Shinji's mother Yui died during the Contact Experiment, and her soul was fused into the body of the fleshy prototype Unit-01 when her body was destroyed. Satsukawa noted the thematic similarity with Eva, and felt Love & Pop was almost like a continuation of Evangelion, and Anno said he was attracted to the protagonist, a mentally ill girl with multiple personalities. Shinji: "Please help me. You are you, I am I". H e va al hospital de NERV para ver a Asuka en coma, suplicndole que lo ayude. It's a parallel with Gendo and Ritsuko. The evening before the fight, Asuka and Shinji are left alone at home by Misato. [10] In the same way her hatred for Shinji could be seen as misdirected hatred for herself, so is her kindness towards him indicative of self-acceptance. the hospital scene establishes his state being as low as it can be, setting the stage for the rest of the film. The third exchange relates purely to the physical/sexual attraction that exists between the two, not to be mistaken with romantic love. Shinji masturbates to the sight of a naked Asuka, and is filled with self-loathing over his deed. The first is the opening scene of the movie. It should be pointed out that Shinji is scared of water and Asuka is likely showing off to him her diving knowledge, to further prove her superiority to him (playfully). Interestingly, Rei picks up on the fact Asuka is envious of Shinji attaining a higher synch score. Shinji snaps at this, prompting him to strangle her. At living." The alternate universe shown in this episode makes use of traditional anime school setting tropes, with Asuka presented as Shinji's childhood friend, a setting later recycled in spin-offs such as [Days] and Shinji Ikari Raising Project. If you cannot be mine and mine only, I don't even want you.". Read the topic about Shinji x Asuka: yay or nay? This isn't made clear in the doujin, wherein it seems ambiguous if she's talking about Shinji or Kaji. [3] During the night Asuka visits the bathroom while half-asleep and then subconsciously lies next to Shinji. Make fun of me like you always do! The only condition she sets is for him to be hers only, representing Asuka's possessive and jealous nature. Some suggest she deliberately chose to let Asuka die in order to get Shinji to enter Instrumentality, though it is debatable if she did this because she wanted Third Impact to happen or merely because she thought there was no way of saving Asuka and at least she would have a chance if her soul was collected by Lilith and brought into Instrumentality. The moment she will succeed to accept herself for how she is, she will also finally manage to truly love and accept Shinji. Shinji's line can not only be interpreted as a cry for help or promise of commitment, but that sort of expression, According to Megumi Ogata, Shinji's voice actress, the scene itself was modelled on an experience of a female friend of Anno's. While beginning with the initial confrontation of Shinji with the comatose Asuka, the scene diverges with Shinji shouting the Asuka he wants to protect isn't the girl lying before him and Asuka awakening to attempt to strangle him (reminiscent of an attempted strangling of Asuka by her mother shortly before her suicide). Furthermore, Ogata asked Anno to help her understand what Anno wanted to convey through the scene and how Shinji is supposed to act. [9] This scene also directly parallels their kiss in Episode 15. It proves to be her stepmother instead. Instead of going on the school trip Asuka, Shinji and Rei spend their time at the swimming pool. Finally, it is often the case that important information is transmitted visually rather than through dialog, so examination of screenshots is necessary. (2009) Robert Langdon descubre la prueba de la reaparicin de una antigua hermandad secreta conocida como los Illuminati: la ms poderosa organizacin secreta en la historia, que a su vez tambin se enfrenta a una amenaza que hace que peligre su existencia: la Iglesia . The final sequence of the movie. Misato sees this and decides it's better for them to live together. After a fight with an angel, a boy wakes up in in the hospital missing some of his memory, a girl mulls over some significant mistakes she made in the last week, and a grand conspiracy draws ever closer to its goal. The final page from End of Evangelion Psalms compares Asuka and Shinji's choking scene to their kiss scene from Episode 15, by juxtaposing it with their dialogue. That is where the lack of inhibitions comes into play; all the issues Asuka has with Shinji's personality don't seem to affect her interest in him here, as they did throughout the series. Taking place, nearly in its entirety, during Instrumentality, it allows Asuka and Shinji to confront each other in a way they never could in the series. Shinji, clearly frustrated by his surrogate family rapidly falling apart at the seams, but also feeling powerless to do anything about it, is seen standing outside the door to Asuka's room, noticing that she once again is spending the night at Hikari's house, and quietly wishes that she would come back. Asuka, Rei and Shinji find themselves having to deal with a blackout at the base, while having to reach their Eva in order to confront the angel attacking (Matarael). [18], Hideaki Anno has also written a song that seems to be about their relationship. Taken aback by her caress, Shinji begins to cry. 22 we find it meant a lot more. Shinji is shown to have further made improvements in his sync score and, while still lacking behind than Asuka, he is given all the praise. Essentially, in Asuka's case, she rejects the part of herself she deems unacceptable in an attempt to maintain a positive image of herself as an independent and mature person. An interest which seems, to an extent, reciprocated. Annya webcam show. Search, discover and share your favorite Shinji GIFs. You just want to keep things ambiguous! Further reinforcing how Shinji has supplanted Kaji as the target of her ambitions, he appears beside her ex-guardian. It should be remembered that Asuka, at this point in time, is feeling especially rejected and ignored by Kaji and sees in Shinji someone who cares about her; a potential replacement for her ex-guardian. There's another "how lewd!" Asuka's reaction comes as a surprise; she caresses him, an act of acceptance meant to symbolize Asuka's growth. I know that I'm your jerk-off fantasy. When Shinji muses to the group about the praise he received from Gendo upon completion of the operation and how it might be his reason for being a pilot, Asuka, again a bit incredulous, makes fun of him for it, believing it to be a stupid reason. You won't even hold me!". If I am to die, then let it be with a sword in my hand, my enemies at my feet, and my blood on my body. Shinji also has a conversation with Kaji, and he tells him about how different men and women are. However, there is plenty of evidence pointing out that it is indeed her soul inside Instrumentality, much like Misato and Shinji herself. (itself an euphemism in Enlgish), in the Japanese literally "Is that why you held/embraced him?". Shaking her, Shinji accidentally removes her hospital gown, exposing Asuka's breasts. She can finally accept him for who he is, because she can accept herself. During a dance session, in front of Hikari, Toji, Kensuke and Rei, meant to make them move in synch, Asuka accuses Shinji of being too slow to keep up with her (though the observant viewer will notice that Shinji actually follows the instructions while Asuka makes some missteps), leading her to get angry at him. [8] Similarly to how he failed to support Asuka emotionally in the series, Shinji also fails to help her during the MPE fight, causing her to get physically hurt, and this has the ultimate effect of allowing Third Impact to happen. Episode 26: a positive version of a tear jerker . The episode opens with a flashback, focused on Asuka and Kaji, before they get to Japan. In many cases the clues to unraveling a scene can only be found in conjunction with other scenes, as well as the larger narrative and thematic context of the show. Rejecting Shinji's pleas here, in her mind, also counts as payback. Shinji then approached her and spoke to her, begging her to help him. Asuka's loneliness and need for help and love, is the main focus of the scene. Even though it would be possible to just try to punch him or push him off her, to reject him again, she has instead chosen to accept him. Because you don't say anything, Asuka. [126] Despite the growing distance between one another, Shinji does not wish to hurt her, even if Asuka might think otherwise. The only relevant scenes in the episode concern Asuka and Shinji, is when Asuka chews him out for failing to bring lunch to school for her, and Shinji meekly making excuses in return, leading them to get accused by Toji of fighting like a married couple, which they both deny. Of course she gets caught, prompting Shinji to laugh for the first time in the series. It is at this point, after the two of them receive an earful from Fuyutsuki, that Misato decides to make them train to reach better synchronization with each other. 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